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Archive for July 18th, 2008

Is Dancing All The Rage Again?

Posted by bigced on July 18, 2008

Friday, 18 July 2008
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Ok, 2 things will be discussed in this particular piece, maybe three if I don’t get too long-winded! I, like fellow older Hip-Hop/Music heads, feel the quality of music has sunk so low that anything with a passable beat will get radio play nowadays, but that’s for another time (You notice I like throwing hints on future topics at you?). I am actually kinda happy but sad at the same time. Why? There is a trend of Hip Hop artists, excuse me, performers, recording dance songs (no, not like Donna Summer/Madonna dance songs), songs that describe a particular dance they are doing, you know, like The Electric Slide, The Hustle (Oh, for you younger heads, these were disco songs from the 80s, when you were guaranteed to hear good music on the radio and in the clubs), etc. Now, I am not knocking the trend at all (Well, maybe a little) but there is a reason I am saddened as well.

 

I am with any and every thing that will show people a good time and how to have fun through music, specifically Hip Hop, so this is why I am happy with the trend of the younger artists, um, performers, making these type of records for the masses. One small problem is the buffoonery that is sometimes involved in such dances, but you know what? That’s a small price to pay to get people off the gangsta, ignorant messages sent daily via Hip Hop songs, radio stations and video programming. It seems as though every song has to have a reference of selling drugs, hustling, killing, robbing, bitches, hos and everything that comes along in the ‘How To Make A Successful Hip-Hop Record’ instruction manual. So anything not used from the manual is a welcomed relief.

 

Now, I am saddened because it seems as if lyricism is no longer needed in Hip Hop unless it’s written by Nas, Jay-Z or any other head who had to actually think to formulate a verse or two to put in a song. I purposely used the term performer instead of artist or rapper. Reason being, we are in the YouTube video days where the song is not based on what can be learned from the song (unless it’s a how-to dance song) but what visuals can be displayed for the viewing audience. Why is it that we are accepting this? And don’t give me that bull about this being a different generation. Why can’t intelligence or upliftment be visible in Hip Hop? I do know there are artists out there that fit the description, but we are not being allowed to see them and they are not being given the same chances as the gun-toting, stupid, stop snitchin’ fools that are ruling the Hip Hop frequency (Well, at least in the general audience).

 

My second topic is our favorite hypocrite, Jesse Jackson. I’ve said it for years that this man is two-faced, conniving and couldn’t be trusted. For this man to use the very same word that he is trying to eradicate from Hip Hop records is simply, amazing! I agree that we need to curb our enthusiasm for using the word because I am indeed guilty (difference being that I never use that word amongst non-blacks, as opposed to rappers writing hit songs based on the word. Ex. Jigga My Nigga) but Jesse just proved that he is part of the problem. Don’t tell me to stop drinking alcohol while we are getting drunk at the bar. Does that make sense?

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Illa J To Release Album Produced Entirely by Brother, J Dilla, on Delicious Vinyl

Posted by bigced on July 18, 2008

Dilla beats all previously unreleased and date from the mid 1990’s


(July 16, 2008, Brooklyn, NY) John “Illa J” Yancey, younger brother of late great genius producer James Yancey (AKA Jay Dee AKA J Dilla), is currently completing his debut album for Delicious Vinyl. With the multi-talented Illa J rhyming and singing over a treasure trove of previously untouched Jay Dee gems, the project represents both a full-circle collaboration and a whole new beginning in the story of the musically exceptional Yancey brothers.

When Jay Dee passed away from complications relating to lupus in February 2006, he left behind an extraordinary legacy of production work, including hits for Common, Janet Jackson, and Busta Rhymes. One mother lode of previously untouched beats dates from his time working on the Pharcyde’s sophomore LP, Labcabincalifornia (Delicious Vinyl, 1995). As Delicious Vinyl owner and founder Michael “Mike Floss” Ross explains: “From ‘95 through ‘98 Jay Dee was my go-to guy for hot beats and remixes. He was always making beats, always. So there was a select amount of tracks that he composed for me during that time, only they never got used. When I finally met Illa J last year, I gave him a CD containing those unreleased beats.”

 

It was a case of pure serendipity, since 21 year old Illa J had just relocated to Los Angeles and constructed a studio built around Jay Dee’s own recording equipment, dubbing it Yancey Boys Studios in tribute to their fraternal bond. “Dilla was twelve years older than me,” Illa J says. “So back in the day in Detroit I was just a little kid, sitting on the stairs in our house, watching him make those first beats for Slum Village. So I always felt my brother’s tracks and had an instinct for what I wanted to do over them.

 

When Illa J set to work in early ‘08 on recording the album, the project flowed quickly as he entered the proverbial can’t-miss zone. As Illa J says: “One of the things I learned from my brother is that you don’t get that much time, so make the most of it. That’s why I’ve decided to dedicate my life to doing what I love: music. To work with Mike Floss and Delicious Vinyl, the label that released those hits my brother made with The Pharcyde ["Runnin'" and "Drop"] is really special.”

 

As Michael Ross says: “Illa J can write, sing, play and rap. Not just a little bit of each – he’s really the complete package! And anyone who loves Jay Dee’s music is going to flip out when they hear what his younger brother’s been laying down. For over a decade these beats have been waiting in the vault for this moment. It’s like Jay Dee made these tracks with an extrasensory purpose, so that Illa J could make this album. There is no question that this is exactly what they were meant for. These beats belong to Illa J, they’re his birthright, and I really believe Jay Dee would be proud of what his brother is doing.”

 

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Streams:

 

Bobby Evans – “Freakazoid Robots” (RMXXOLOGY Theme)

http://media.audibletreats.com/RMXXOLOGY-Freak_A_Zoid_Robotoz-Bobby_Evans.asx

 

Peaches & Tone Loc – “Wild Thing” Remix

http://media.audibletreats.com/RMXXOLOGY-Wild_Thing-Peaches_Remix.asx

Video: http://www.youtube.com/watch?v=QVGiqeIDTwI

 

Eminem – “Slaughtahouse” Remix

http://media.audibletreats.com/RMXXOLOGY-Slaughtahouse_Eminem_Remix.asx

Remix video: http://www.youtube.com/watch?v=lcieyuy0SuE

 

“Bust A Move” (Don Rimini Ravekid Remix)

http://media.audibletreats.com/RMXXOLOGY-Bust_a_Move-Rimini_Remix.asx

 

RMXXOLOGY Teaser:

http://www.youtube.com/watch?v=kZ92o3l5hnk

 

Aaron LaCrate & Debonair Samir- Young MC “Know How Theme”

http://www.audibletreats.com/download/DeliciousVinyl/Know_How-Feat_Young_MC.mp3

http://www.youtube.com/watch?v=fCtq6d8l60I



Delicious Vinyl MySpace page:
http://www.myspace.com/deliciousvinylrecords

 

Label site:
http://www.deliciousvinyl.com/

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