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Archive for March 19th, 2008

Our World Music debuts Global Digital Distribution & Social Networking Site

Posted by bigced on March 19, 2008

OurWorldMusic is the first global digital distributor, social network, and network marketing destination website that allows anyone to build their own global music business!.  OurWorldMusic provides a platform and tools for artists and consumers to connect within a right business model, and provides an opportunity to discover, share, promote, and distribute content from around the world, and earn money and free music doing it!.

OurWorldMusic specializes in Hip Hop, R&B/Soul, Lounge/Downbeat, Jazz, Reggae, World, Alternative, Spoken Word, and other quality music made with consciousness that we like and know our community will to. OWM was created in NYC, close to the pulse, cultivating true relationships with the artists, and facilitating the same type of relationships between our artists and our community.

OurWorldMusic’s mission, unique suite of tools and services, user friendliness, and exclusive content is what differentiates it from other music and networking sites.  The site is free for artists and users, offers a streaming media jukebox of OWM content, exclusive artist profiles and content, previews of entire songs before purchase, and access to your music catalog anytime, anywhere.  With one of the highest revenue shares in the industry, OWM empowers artists to take control of their music and careers by earning 80% of the revenue on their music and still retaining complete ownership of their product. OWM has the industry low full album price ($5.50) for DRM-Free, IPod compatible MP3 files.  OWM has revenue generating opportunities for all users.  There are special incentives for purchasing music from OWM and referring artists and friends, such as free downloads, access to exclusive content and performances, and cold cash!  

With the OWMLife.com profile pages, like-minded individuals can connect while sharing their music and lives.  OWM will allow users to use their preferred social site while accessing and staying up with all the happenings utilizing a Facebook Application and a Google Open Social Widget.   Whether on our social network or another, you can always access OWM, your personal OWM music catalog, and stay in tune with the OWM  Community!

Co-founder of OurWorldMusic, Cedric Watkins, sums it up best, “OurWorld Music was created for artists and we are about creating a right market for the exchange of quality music and ultimately bringing about positive change in the world.  We are about connecting and mobilizing artist and people in a creative and right way in order to share ideas, culture, and the message.” 

Some of the artist featured on the site; Big Pooh, Little Brother, Kaze, Earthman Experience, Julie Dexter, Peter Hadar, Trizonna McClendon, Shae Fiol, Shu, O’Neal McKnight, Heston, Brandon Beal, W. Ellington Felton, Shayna Steele, Kween Kash, Empire Isis and Loot. 

For more information or interview requests for OurWorldMusic and OWM Artists contact

Lisa “Chase” Patterson – 201-521-9742

Hard Hittin Harry – 646-339-2512

Visit the OWM website at www.OurWorldMusic.com

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Scion & Sybarite Presents “What Moves You”

Posted by bigced on March 19, 2008

Wednesday, March 18th 10pm – Late
SPOTLIGHT

On 3/18 Scion is collaborating with non-profit organization, Sybarite Productions Artist Development Center, to put on a fund raiser and dance showcase featuring the talented Sybarite dancers. There will be several independently choreographed pieces in conjunction with established urban fashion designers such as Brooklyn Xpress, Brooklyn Industries, Mecca and Scion Release. Each group of dancers will be styled in a different clothing brand while performing mind-blowing, theatrical dance routines of hip hop, house, dance hall, and breaking. Please join us at Spotlight at 10 pm for DJ DP One and an open bar. At 11pm the Sybarite dancers will begin their performances.

This event is FREE! But donations are encouraged. Please RSVP for entry
General RSVP dinna@sybariteproductions.net

SPOTLIGHT
1604 Broadway & 49th Street

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BIG BOI & ATLANTA BALLET PRESENTS “Big”

Posted by bigced on March 19, 2008

An unprecedented collaboration between Atlanta Ballet and Big Boi, one half of the multi platinum Grammy award winning group Outkast, big  is the first time that these two art forms have been combined together. Big fuses the visual experience of Atlanta’s professional ballet company and hip-hop music, performed live by Atlanta’s own Grammy Award-winning visionary. The show also features new & never heard material interwoven with a classical masterpiece such as Verdi’s La Traviata. This unique on stage experience that features a long list of talented artists is playing for a limited time April 10-13, 2008 at the historic Fox Theatre. A fundraiser benefiting the Big Kidz Foundation & and Atlanta Ballet Centre For Dance Education hosted by Big Boi and Queen Latifah will follow immediately.

The music list for big includes tracks such as “Morris Brown” from the Idlewild Soundtrack, the popular hit “ “Church” from Speakerboxx, which won the Grammy Album of the Year(2003), and “Bombs Over Baghdad.” Other music pieces that will be weaved into the tapestry of sound include jazz and opera selections.

“big is the place, the event, and the experience where we leave our inhibitions at the door, and move forward.  big is an example of possibilities…a place for the senses to open, and be lifted, setting a new height for creativity and awareness towards ourselves and the people sitting right next to us,” said the choreographer of big, Lauri Stallings.

The show also features other great artist such as Janelle Monáe, originally trained in classical & Broadway she has trademarked her own brand of soul/R&B.  Best known to many as the silky voice on several of Big Boi’s popular hits, including “The Way You Move,” Sleepy Brown has garnered a following all his own.  He boasts his own Top 40 single, “I Can’t Wait,” featuring OutKast, from his debut album Mr. Brown.  Sleepy Brown is set to appear in several tracks for big, including “I Can’t

Wait” and Big Boi’s “Church.” Also lending their talents to big are Scar, Big Rube, Joi Killiam, Rock D and Khujo Goodie, as well as members of the musical group Konkrete.

Keeping in mind that cultural exposure, musical and literary expressions, and the invaluable experiences of travel, makes for a well-rounded person, solidifies the result of Big Kidz’s mission. “The importance of exposure is making a young person part of a conversation that society has been having without them for years,” remarks Big Boi about his foundation. “Creating, and having a positive contribution to the world we’re living in, takes knowledge on another level; takes expression on another level, and I want to be apart of making that happen”, ‘Big’adds.

Founded in 1929, Atlanta Ballet is the longest, continuously operating ballet company in the United States. Atlanta Ballet’s eclectic repertoire spans ballet history, highlighted by beloved classics and inventive originals. Atlanta Ballet opened the Centre for Dance Education in 1996 and is dedicated to nurturing young dancers while providing an outlet for adults to express their creativity. With diverse class offerings and student population, the Centre serves over 150,000 people in metro Atlanta each year. Atlanta Ballet’s roots remain firmly grounded in the Atlanta community and continue to play a vital role in the city’s cultural growth and revitalization.

With movies such as “Idlewild”, “ATL”, million of records sold as half of the supergroup Outkast, Antwan “Big Boi” Patton will be releasing his debut solo album this summer 2008. Enlisting producers Andre 3000, Organized Noize and Danger Mouse, the ATLien also looks to mix up musical styles by collaborating with Raekwon and Mary J. Blige. As he recently told Blender magazine (June 2007), “I’m giving the truth about what’s going on with me, with relationships, and politics. But there’s no set formula. I just want to keep it funky.”

For more information about Big Kidz Foundation, visit www.Bigkidzfoundation.org. For more information about Big Boi, visit

www.outkast.com.

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The Monday Polly: Looking Through Stained Eyes Pt. 1

Posted by bigced on March 19, 2008

-by CZA

I thought about it for a while last week, you know, what I would do for this episode of the Polly, and I wanted to make it special. No particular reason; I just felt like stylin’ on your favorite bloggers with something interesting but also relevant so you get the best of both worlds, na’mean?

A couple months ago I was in talks with a certain presidential candidate about doing an interview, and back then, his people wanted to hook up with a brother because they had seen my work before and knew what I was about, and even more so knew that their candidate might receive more young voters because of the article. So we’re a go all the way up until today (Sunday) when I get a call from the candidate’s publicist saying that the interview was off.  I asked when we could reschedule and she straight up said we couldn’t. He didn’t feel that I was high enough priority to chop it up for 15 minutes on subjects that were important to his campaign. “Cool,” I thought as I hung up. I see how the game is now and even though he threw me under a bus, I still might just vote for him. Why? Because it’s bigger than me. I’m man enough to separate my personal feelings from what is necessary to be done for our country.  Even if he does look corny as hell most of the time.  

I had the pleasure of sitting down with the internationally known Femi Agbayewa for this week’s Polly and he really broke down the similarities and differences of the African people vs. that of the African Americans. Damn good read, I should say. So read it.

If I Ruled the World (Imagine That!

CZA: What up fam? Thanks for taking the time out of your promotions run to talk with me. First thing that comes to my mind is this: What’s the current state of affairs in Africa?

Femi: Optimism. There’s been tons of growth and development and it looks to be that a better time is coming upon us. Making sure that the masses get the most benefit of that growth is essential; all of the resources and money in the hands of the few simply won’t cut it. I think that people are getting tired of the way that things are being run politically and are being pushed to their limits. Right now people are trying to hold their government accountable so that the idea of having a better life isn’t such a stretch anymore. Change is right around the corner.

CZA: Change is necessary for any society that finds the majority undervalued I think. What is it in your opinion that gives people hope for the fruition of that change?

Femi:  That Africa is being so focused upon right now is what drives us to demand better. The eyes of the world are upon us for our many resources, our deep cultural heritage and our intelligence as a nation. When you’re looking at all of that, it’s impossible for the people to no want to better themselves and their nation. There’s no reason why Africa can’t be on the same level as America. None whatsoever. The understanding that citizens should have rights at all times hasn’t ever escaped us; now it’s just becoming more fortified in everything we do. The corruption isn’t being tolerated anymore.

CZA: How does that translate to the citizens in the United States?

Femi: People want change in the states; look at Barrack Obama. People here are tired of having to sift through policy after policy that’s putting a strain on them and then they’re expected to bounce back. A human being can only take so much and I feel we too as American citizens are at the breaking point.

CZA: I agree. I’ve seen how much influence our policies here in the states affect others. I was looking at some of the debates recently and saw how staunch Barack was on backing democracy and as Susan Rice put it “Putting all our eggs in one basket”.  What’s the African view on America?

Femi: I can tell you right now that when it comes to views, there are a lot of misconceptions and I can say from my own personal experience that there is a definite connection between the people of the two continents, When we’re happy, they’re happy and when we’re sad, they’re sad. I would that you could sum it up well with this analogy: You can’t get the entire story of a family unless you talk with everyone giving their input. We’re different people, but it’s one story. We’re spread out all over the world but it’s still one story that needs to be told. They definitely feel that blacks in America have a power to affect change all around the world and so they take interest in what we do here. Every time I go back they always ask me what’s going on over here. I think that hip hop is an almost a language in itself because it speaks to people in other languages without them having to understand the words. That’s the magic of it.

CZA:  So you’re saying that there’s very little difference between the African brothers and sisters and the African Americans?

Femi: Exactly. We’re working from a knowledge base and going out with our misconceptions in hand. What we need to do is ask realistically, “What do we have?” We need to go from there and rebuild the connection between us.

CZA: That’ll be hard though! There are so many factors trying to keep us segregated and uninformed…I’m not with optimism but a lot of the older heads won’t want to start up for something like this. If we knew how close we are as a gigantic family, cats would be on some “let’s get guap” tip for real, but from an early age we’re taught that Africa doesn’t have anything to do with us and we should look at them as a third world country that simply couldn’t relate.

Femi: True, but obviously that’s not the case. When you’re not in control of your images, all anyone ever sees is a snapshot taken by someone else. People often take what they see out of context, so you’re left with it being just like that. Like you said, a common misconception is that America only cares about itself when that’s not true. Another misconception is that Africa is underdeveloped and always looking for a handout. That’s not us at all. I’m excited about this new generation who has walked step by step beside their American counterparts and really want to see change. It’s evident and it’s necessary.

Part Two continued next week so stay tuned!

 

  

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Hotlanta

Posted by bigced on March 19, 2008

By Denene Millner and Mitzi Miller

Image Hosted by ImageShack.us

Review by StarBourne

                    
When most people think of Atlanta, crunk music and soul food are just a couple of things that come to mind but rarely are we exposed to the elite and ever-so-popular teen explosion in the A. In “Hotlanta” (the first of three in a trilogy) we meet Sydney and Lauren, two very fortunate Prada-toting, Jimmy Choo-shoe wearing twins attending Brookhaven High School. An extremely wealthy step-father (Altimus) and a sidewalk meets the catwalk type of mother (Keisha) completes the multi-million dollar Buckhead subdivision. Sydney is your typical all-around good girl and gets all her studying done while still maintaining a glorious GPA and she does it all in Coach and a natural do. Lauren would much rather skip school to audition for the role as leading video vixen in the next rap video. She opts for weaves and super tight BCBG minis. The girls go through your typical teenage drama including boyfriend troubles and scandalous best-friends but the lies and deception going on at school is miniscule compared to the drama unfolding at home.


Their biological father, Dice, who has been in prison for most of their lives, is released and all that is on his mind is making up for lost time with his twin daughters. Little does he know that while Sydney still wants a relationship with him, Lauren absolutely loathes him and has been brainwashed by her mother and step-father to feel as such. Sydney eventually touches bases with Dice and finds out some information that may change the way the girls view their mother and Altimus. Lauren remains firm and would rather chase the new boy in her life, Jermaine. She uses her gay friend Donald, who has yet to come out of the closet, as a decoy for her trips on the MARTA to and from the West End, which is a not so upscale area that the twins know nothing about. Altimus, on the other hand, does and clearly disapproves of her ever being in the area. Eventually Jermaine steals Laurens’ heart and she continues to sneak around to see him regardless of what her step-father says.

Sydney is trying to balance school and her relationship with Marcus. Marcus is her high-school sweetheart and they’ve been together forever. She finds herself questioning his faithfulness and of course the answer comes to light. Someone close to Sydney and even closer to Lauren is ruining her relationship with Marcus but she can’t quite put her finger on it. Her BFF’s, Rhea and Carmen got her back but Sydney refuses to let anyone in on the fact that her perfect life may not be so flawless so she keeps it all to herself and seeks revenge in her own little way. Meanwhile, Altimus has revoked both of the girls driving privileges and has them chauffered around until further notice. Lauren because of her wreckless driving and Sydney, for disobeying the no-Dice rule.  Slowly but surely the twins begin to realize that their step-father has got to be involved in more than just car sales because of his notorious reputation on the streets. They also link Dice to Altimus’ past and Jermaines’ brother Rodney ends up dead after revealing a little too much to Lauren. Sydney begins to piece past and present together. Jermaine swears that whoever killed his brother will get theirs and the twins remain confused on a quest for the truth. As the story climaxes towards the end, it is safe to say that “Hotlanta” has left me begging for more.

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