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Archive for November, 2007

Harry Belafonte Kicks Up Dust/ French Youth Step to the Police

Posted by bigced on November 30, 2007

 

Listen to Speech and Keynote Address by Clicking Link Below:
http://odeo.com/audio/17369513/view

Harry Belafonte Ain’t Nothin’ to F&%k With
(Just Ask Colin Powell)

by Davey D

Long time entertainer/activist/ freedom fighter Harry Belafonte came to Oakland the other week for an event he puts on called the Gathering for Justice. It drew more than a thousand people from all over the world including a number of former gang members who are concerned about the high incarceration rates and the increasing challenges besetting our society.

At 82 Belafonte still yields more fire power and courage then people a fraction of his age. If you don’t believe me just ask former Secretary of State Colin Powell who got publicly called out and chastized by Mr Belafonte for compromising his principles for the corrupt Bush administration he worked for. People may recall when Belafonte made these widely heard remarks back around 2002.

“There is an old saying, in the days of slavery. There were those slaves who lived on the plantation, and there were those slaves who lived in the house. You got the privilege of living in the house if you served the master, do exactly the way the master intended to have you serve him. That gave you privilege. Colin Powell is committed to come into the house of the master, as long as he would serve the master, according to the master’s purpose. And when Colin Powell dares to suggest something other than what the master wants to hear, he will be turned back out to pasture. And you don’t hear much from those who live in the pasture.”

Belafonte seemed to know ahead of time what his fellow Carribean brother (Powell)would soon experience. Belafonte tried to warn Mr Powell to get out and save himself and his reputation and not be the fall guy for Bush lies and their failed policies. Powell didn’t listen until it was too late. The rest they say is history…

What we have today in this Breakdown FM podcast is an incredible speech where Mr. Belafonte kicked some serious science and let folks know the urgency of the day. He let us know in no uncertain terms that here’s no time for us to sit back and not speak truth to power.

During this keynote speech, Belafonte brought alot of people’s feet to the fire including the Congressional Black Caucus who he accused of allowing a long litiney of injustices to take place on their watch. He questioned why it was that one or two Republicans are always able to Filibuster but the CBC with their 40 members rarely follow suit in the wake of harsh, crippling legislation being proposed.

Belafonte talked about the Black church selling out the people for 30 pieces of silver. He called them ‘Kidnappers of truth’. who had abandoned their important role of freedom fighting within the Black community only to align themselves with George Bush and his evangelical zealots.

He then talked about the role of artists and how they had long been ‘Keepers of the Truth’ and how that got compromised with today’s click bowing down to their corporate masters..

After Belafonte laid all this out, he then talked about ways in which the gathering could start to repair things. This is an incredible must hear speech..

Included in this podcast is my one on one interview with Belafonte about leadership and the next steps we should be taking. Below is the excellent story written by author Marvin X about the Gathering and Mr B as we like to call Harry Belafonte.


Why was Belafonte’s Oakland star-studded gathering whited out by mainstream media?

by Marvin X

Billed as Harry Belafonte’s Gathering for Justice, the world renowned humanitarian called a national conference of youth to gather in Oakland Saturday to address their pressing issues and spark their consciousness to continue the work of his generation and those before him on the train of justice. Youth flooded into the Oakland Marriot from Mississippi, Georgia, Alabama, Tennessee, Washington, D.C., Brooklyn, Boston, Chicago and Detroit, as well as California.

Youth from Oakland and the Bay Area, however, did not seem to be well represented, for some strange reason. [Little publicity appeared before the gathering, and the Bay View has been able to find no mainstream media coverage of the event. – ed.]

Nevertheless, the multi-cultural crowd was treated to the likes of Belafonte, Danny Glover, Barbara Lee, Ron Dellums, Walter Mosley, Sean Penn, Santana, Davey D and yes, Marvin X, who was vending his books when the Hot 8 Brass Band called him to the stage to join them in electrifying the crowd.

We cannot praise and honor Harry Belafonte enough for his years in our liberation struggle. Yes, he is in the tradition of our great ancestor Paul Robeson, who defined himself as the artistic freedom fighter. At 81 years old, Harry is showing us that there is no retirement in the battle for justice in America or the world.

Just as the forces of white supremacy are relentless, we must be also and never give up until the last breath. In his keynote address delivered at 9 a.m. on Saturday morning, he talked about the suffering his mentor Paul Robeson experienced as the artistic freedom fighter, but Harry said he is inspired to see Robeson’s spirit alive in actor Danny Glover.

Even though he supported and marched with Rev. Martin Luther King Jr., Harry was hypercritical of the black church today, calling it the kidnappers of justice, along with a few more choice words. DJ Davey D urged me to write a poem using Harry’s metaphor. Harry criticized the reactionary rappers as well, calling them sellouts to cultural imperialism.

But his main message is that we can overcome the forces of white supremacy by organizing and non-violently opposing evil. A mass movement of conscious youth can be a critical factor in moving the Movement forward out of the lethargy and passivity of the last few years.

Because of its revolutionary tradition, Oakland was chosen for the first in a series of national meetings of the Gathering for Justice movement. Youth and adults in attendance included Native Americans, Latinos, Whites, Pacific Islanders, Asians and African Americans.

We don’t quite understand why more Oakland people were not present, especially with such high profile personalities on the agenda. Did organizers do outreach locally, or did they purposely limit information on the event since Oakland is currently suffering so much violence? Of course violence is nationwide. Someone, maybe Harry, mentioned 16,000 persons were murdered in America last year – yes, far more than have died in Iraq. Maybe conference organizers feared Oaklanders mixing with youth from outside the city.

The Gathering for Justice must present a long-term strategy to confront the myriad problems facing youth, including violence, mis-education, lack of jobs – in lieu of jobs we suggest entrepreneurship and micro credit.

Since there are few Black teachers, we offer peer teaching and independent study. And the prison population should be reduced with a general amnesty.

The problem of the church or faith community can be addressed by noting the liberation theology of Jesus and Muhammad, and perhaps moving beyond religion toward spirituality as the Native Americans spoke about so eloquently and at great length.

If Harry Belafonte, at 81, can involve himself with the Gathering for Justice, surely I can do the same at 63, and so I call upon my generation to become a part of this movement to save our children. Remember that James Brown tune, “Get Involved”?

The highlight for me at Harry’s Gathering for Justice was seeing the new generation of youth embracing each other and us elders. The Creator is telling me every little thing is going to be all ite. It was a blessing hearing and performing with that great group of young people from New Orleans, the Hot 8 Brass Band. “Get Involved!”

The latest book by Dr. M/ Marvin X is “How to Recover From the Addiction to White Supremacy: A Pan African 12 Step Model for a Mental Health Peer Group,” foreword by Dr. Nathan Hare, afterword by Ptah Allah El, Black Bird Press, P.O. Box 1317, Paradise CA 95967, $19.95. www.marvinxwrites.blogspot.com, mrvnx@yahoo.com.

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Over the pass year there has been a substantial rise in police brutality and police related shootings here in the US. Almost everyday we hear horrific stories about the police smashing on someone Black or Brown. We seen the police handcuff 5 year olds in Florida, break the arm of a young girl after she dropped a piece of cake in California or point a gun at a 7 year old and threaten to blow her brains out in Pittsburgh.

Two weeks ago three Black men were shot and killed in a 2 days by police nationwide. In Miami 4 people have been shot by police in 19 days. All of us have heard about the Sean Bell killing where NYPD pumped 50 bullets into his body. The list of atrocities is along one. People have definitely been feeling frustrated, but are they frustrated enough to take action? Will there ever be a day where people pay close attention to the NWA song ‘Real N’s Don’t Die‘ where MC Ren suggest that people start picking up the AK9 to rebel back and put people in line. Apparently rebelling back is what’s taking place in France where 77 officers have been injured by angry immigrant youth who said ‘enough is enough. According to mainstream news reports, the riots going on are worse than the 3 weeks worth of rioting that ravaged the country a couple of years ago.

If you recall when they had these widespread riots, 200 members of the French Parliament blamed the unrest on popular Hip Hop groups most notably Ministère AMER, NTM and of course Monsieur R who was looking at 3 years jail time for his hard hitting politicized songs. One has to wonder with all the new terrorist laws in place including the new bill proposed by the sell-out punk ass Democrats called the Violent Radicalization and Homegrown Terrorism Prevention Act of 2007, if rappers suggesting violence against brutal police in a song could land them in jail or worse. That’s definitely something to ponder….

Below is the controversial video by Monsieur R for the song FranSSe that angered French authorities. He was accused of inciting racial hatred because he depicted two naked white French women rubbing the French flag on their crotch while also depicting the government as Nazis…Monsieur R was reflecting the sentiment felt by many immigrants especially those from North Africa who felt that the government was mistreating them.

http://uk.youtube.com/watch?v=0DPV50WgbEw&feature=related

Davey D

French Youths Clash With Police

http://www.nytimes.com/2007/11/27/world/europe/27paris.html?_r=2&ref=world&oref=slogin&oref=slogin

VILLIERS-LE-BEL, France, Nov. 26 — Fast-moving bands of young people clashed with the police for a second night in this troubled suburb north of Paris today, setting gas tanks on fire and throwing rocks at large numbers of police officers, who responded with tear gas.

The tense scene erupted soon after dark, with many parked cars and trash cans set on fire in the road; other gas tanks were hidden next to trees and set ablaze. Many cars were burned and one police officer was injured.

One witness told Reuters that about 100 riot police officers were deployed and that in addition to tear gas, they used stun grenades and paint guns, which can help to identify troublemakers.

The confrontation began Sunday night when two youths on a motorbike were killed in a collision with a police car in Villiers-le-Bel, a mixed suburb with Arab, black and white residents 12 miles north of Paris. Within an hour of the accident, youths began throwing stones at the police and firemen, and set four buildings ablaze — including a police station and a McDonald’s restaurant. More than 28 cars were torched, many at a garage, officials said.

Twenty-five police officers were injured, including one with a punctured lung, and nine people were arrested, mainly in Villiers-le-Bel, said Patrick Trotignon, who is in charge of the Paris area for the Synergie Officiers police union.

The violence spread to nearby Sarcelles, and some damage was reported in other towns.

The violence, especially with its continuation Monday, raised fears of a return of the conflict that plagued France after the accidental deaths of two teenagers in October 2005 in another suburb. That incident sparked a three-week wave of unrest across France.

The police were apprehensive going into Monday night. “’We’ve talked to our colleagues from the domestic intelligence services, who themselves talked to their contacts, in particular in schools, and what they are hearing are the little brothers saying, ‘My big brother told me to stay home tonight because they are going to destroy everything,’ ” Mr. Trotignon said.

The two teenagers who died Sunday were identified in the French media only as Moushin, 15, and Larami, 16. They were riding on a small motorbike, or ‘dirt-bike,’ in Villiers-le-Bel in the Val d’Oise department, north of Paris.

Police described the accident as probably an ordinary crash at an intersection. “What is almost entirely sure is that it wasn’t a chase with the youths, but that they crashed into each other at the intersection,” said a police spokeswoman for the Val d’Oise region. “There is a theory that the youths ignored the right of way.” Mr. Trotignon said the kind of motorbike that was involved was not approved for road use.

The two teenagers who died in October 2005 were electrocuted in a power station in another suburb, Clichy-sous-Bois, while fleeing police.

An investigation concluded that officers had chased the two youths on foot, though not as far as the power station. In the ensuing troubles, which spread to many urban areas in France, thousands of cars were burned and dozens of public buildings were set on fire.

Since the 2005 riots, authorities have increased funding to help the suburban areas which often suffer from poverty and high unemployment rates; in some of the largely immigrant areas, youth unemployment is close to 50 percent.

Earlier this month, police found three gas cylinders loaded with screws and bolts in the troubled suburb of Aulnay-sous-Bois, north of Paris. One had been placed in a trash container which was later set ablaze, in what was considered to have been a trap for the police.

“There’s an escalation,” said Mr. Trotignon, speaking about the discovery of the gas cylinders in Aulnay in light of the events in Villiers-le-Bel.

“It wasn’t just to scare us off, it was to kill. And now we’ve got an officer who’s got a perforated lung.”

Mr. Trotignon said he expected “that tonight we’re going in for more,” with the chance that violence will spread to nearby towns. “We’ve been saying for eons that we’re sitting on a powder keg,” he said.

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FLO RIDA CONTINUES HIS RIDE AT #1 ON iTUNES

Posted by bigced on November 30, 2007

Poe Boy Entertainment/Atlantic recording artist Flo Rida has scored big again this week at iTunes.  The Florida-based rapper debuted at #1 three weeks ago with his single, “Low (Feat. T-Pain),” selling over 120,000 digital downloads in just its first week available. “Low” has remained the #1 single at iTunes now for three consecutive weeks. The track has soared into the top 10 on the Billboard Hot 100 chart as well, landing at #4, and comes in at #2 on the SoundScan Digital Song chart for its second week in a row.  Flo Rida also leaps into the top 5 on the Billboard “Hot RingMasters” chart, with the ringtone for “Low” ranking at #3 this week.

Flo Rida is quickly marking himself as one of the hottest new voices in hip-hop.  The Carol City, FL native has announced plans to release his major label debut album, “MAIL ON SUNDAY,” in February of 2008.  The album sees Flo Rida joined not only by T-Pain but other major-league guests including Rick Ross and Trey Songz, with production from an incredible line-up including The Runners, JR Rotem, and Atlanta’s DJ Montay, who produced “Low.” 

At Rhythmic radio, “Low” is currently locked inside the Top 5 and was the #1 greatest gainer for the third consecutive week. Its one-week increase was up 806 spins, one of the largest spin gains of 2007. At Top 40 radio, “Low” has had yet another a mammoth week, jumping to #23 with a bullet.  The track is currently in full-time rotation at both Pop and Rhythmic formats in every major market in the country, and countless stations are reporting that “Low” is their #1 most-requested song.

The new companion video for “Low” is blowing up at MTV, where it has already been added to rotation at MTV, MTV2, MTV Hits, and MTV Jams, as well as at BET.  Last week, MTV’s TRL and BET’s 106 & Park premiered the video, in addition to other recent premieres on MTV2’s Sucker Free and BET’s Rap City.

On MySpace, Flo Rida comes in at #3 on the Top Indie Artists ranking and at YouTube, his channel has received more than one million views to date.

In other news, “Low” will be prominently featured in the upcoming motion picture “Step Up 2 The Streets,” which hits theatres February 14th, as well as in its accompanying soundtrack, which will also be released by Atlantic Records.

Flo Rida can currently be heard on Poe Boy labelmate Rick Ross’ new single, “Street Money.” Both rappers just shot the song’s music video in Miami. Flo Rida was also recently featured on fellow-Floridian DJ Khaled’s current album, “We The Best,” on the track “B***h I’m From Dade County.” In addition, Flo Rida’s “Radio” will appear on EA Game’s NFL Tour 2008, which hits stores in January.

For more information, visit www.officialflo.com, www.myspace.com/officialflo, and www.youtube.com/officialflo

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Detroit Super-producer Alpha-bet working with USDA, Def Jam, & Koch

Posted by bigced on November 29, 2007

New Street Single from the Eminem helmed D-12 member Bizarre Street level buzz building for thundering song produced by up and coming producer on Bizarre’s 2nd solo release on Koch Records.

Bang on the Table Productions hip-hop recording producer Alpha-bet has unveiled details of his production work on the sophomore album from Bizarre of D-12, “BLUE CHEESE & CONEY ISLAND.” The full length LP includes the Alpha-bet produced breakthrough street buzz single, “ANIMAL” – which was released Tuesday, October 23rd on Koch Records. The single has been featured in XXLmag.com ’s BANGER section and is receiving great reviews.

The track “ANIMAL” has a sound bed of hunting violins, echoing flutes and earth shattering drums, all composed by Alpha-bet, as the backdrop for Bizarre to verbally express his drive into the ‘rumble in the jungle’, with Detroit hip-hop veteran King Gordy and Raazaq riding shotgun. When asked about the up and coming Detroit producer Alpha-bet, Bizarre stated, “The beat for ANIMAL was the very first beat that I heard from Alpha-bet, and that was the one, I didn’t need to hear anything else!” The album marks the second release for Bizarre, a member of the group D12, who was brought to the world by multi-platinum Grammy winning hip-hop artist Eminem.

Along with the aforementioned track, Alpha-bet ’s production work in the local Detroit hip-hop scene as been so potent that he has been nominated Detroit producer of the year by www.detroithiphop.com 2 years in a row. Losing to the legendary J. Dilla one year and superstar producer Black Milk this year.

The producer has been mentioned in such press as XXL (Nov 2007issue), The Source (Dec. 2007issue), Allhiphop.com http://allhiphop.com/blogs/news/archive/1006/02/01/18130745.aspx), Sohh.com (http://www.sohh.com/articles/article.php/8269 ), Detroit Free Press, and Real Detroit Weekly (click and scroll down to “The Zone” article http://www.realdetroitweekly.com/article_3460.shtml ).

Alpha-bet has placed scoring duties for MTV, custom ringtones for Cingular/AT&T, the Discovery Channel documentary “The Real 8 Mile” by Pulitzer prize winner Charlie McDuff, music production on a video directed by Anthony Garth (Jim Jones, Eminem, 3-6 Mafia, Slum Village, Obie Trice) and Speed Channel’s “Unique Whips” custom car show, scoring the 3rd season debut featuring 50 Cent & LeBron James. “I represent 40 to 50 freelance producers at my music licensing company, and I’d defiantly put Alpha-bet
at the top of the list. He’s very talented as a producer”, says New York based Indigi Music Publisher Nicole Sanzio.

Currently Alpha-bet is in the studio working with S.L. Jones from Killer Mike’s Grind Time Label, Roccet from Young Jeezy’s USDA label, and several up coming projects for Def Jam & Koch Records.

MySpace Link: http://www.myspace.com/bangonthetableproductions

Alpha-bet Press Photo: http://bangonthetable.com/alphacrainpic.jpg

Bizarre of D-12 ft. King Gordy & Razaaq- Animal (stream & code to embed into your blog/website on page) http://profile.imeem.com/VqRK8s/music/PL92YX18/bizarre_animal_feat_king_gordy_razaaq/

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The Bridge: Retarded Black Men (A Must Read for All Brothers)

Posted by bigced on November 29, 2007

 The BRIDGE: Retarded Black Men
By Darryl James
(November 27, 2007)

Retarded:(adj) relatively slow in mental or emotional or physical development.

*When I lecture and/or do seminars and talk about how American men in general and Black men in particular are emotionally retarded, the reaction is not always good.

Some men are offended over the usage of the word “retarded,” but in it’s literal meaning, the word is very appropriate.

In America, many boys are taught from an early age to disconnect from most of our emotions. We can still feel pain and our feelings can still get hurt. We feel joy and we still love, but the feelings are distant at best and foreign at worst. We don’t feel the need to talk about them or face them enough to process them.

We need to discuss this issue because it’s ripping our community apart. Without a connection to emotions, the response to them is sometimes backward and inappropriate.

For example, while women will typically cry when hurt or angry, emotionally retarded men will typically lash out, having been taught that violence or aggressive behavior are appropriate responses to pain or anger.

What some perceive as a choice to act stoically is actually a pathological attempt at erasure of emotions. Too many Black men hold our feelings inside until they fester and tear us apart, causing more of us to die early from stroke, heart attack, and other stress-related maladies.

Some of us are raised as emotional retards, but some of us fall into it later in life.

I became emotionally retarded after being raised in good emotional health. I was fifteen when I finally gave up my tears.

I blame part of my emotional retardation on the “big boys don’t cry” syndrome, but part of it came from having so much to cry about in such a short time, that my emotional system shut down as a failsafe against insanity.

At the age of fifteen, my stepfather–the man who raised me as his own–lost his battle with cancer. Within one year, I also lost my oldest brother and my grandmother.

Prior to that time period, I used to cry when I was happy and cry when I was sad. I would cry when I was afraid and cry when I was lonely. But once I became emotionally retarded, I no longer cried. In fact, I didn’t cry from sixteen until twenty-one, when my mother died.

I remember curling up in a little tiny ball and crying my eyes out, wanting to die and join her or explode and cease to exist, but right after the funeral, I “manned up” and turned off the tears again, because after all, big boys don’t cry. My girlfriend at the time told me so. She had decided that I had been crying too long and was starting to “bitch up.”

I turned off my tears again, and in doing so, I turned off a connection with humanity. I intellectualized pain, and tried to analyze love, life and even laughter from a purely cerebral perspective. “I think, therefore, I am, but I don’t cry” was my motto.

I would look at emotionally healthy people in confusion, not quite understanding the emotions they would demonstrate so openly. I remember laughing once because a girlfriend’s crying seemed so puzzling. Not that it was truly funny, but I just didn’t understand, and in my confusion, discomfort gave way to laughter, a primary nervous reaction.

It’s not just Black men who are emotionally retarded. We are following the emotional retardation of the dominant culture, which is where we get the whole “big boys don’t cry” syndrome. But the reality is that we have embraced it and it belongs to us now, too.

That retardation must be appealing to our sisters, because many of them are becoming detached from their emotions as well.

Some of the disconnected still have vestigial emotions—remnants of what once existed, firing off neural connections in a similar fashion to severed arms and legs which still “feel” as though they are still there.

We can reconnect to our emotions, but we have to acknowledge that there is a disconnect. I acknowledged my own, and over the past few years, I have been slowly reconnecting.

By the end of my twenties, I began to analyze the appropriate emotional response to the feelings I had intellectualized. I began to understand and reconnect. It was a beginning.

When my last relationship ended, I was also going through some professional difficulties. It seemed as though my entire world was falling apart and I knew that I was a mess. I not only embraced celibacy, but I embraced my spirituality like never before and that’s when it happened.

I cried.

I cried as though the skies were opening up, but in fact, it was my heart opening up.

I felt things, not just intellectually, but really felt them and I cried about feeling them.

My reconnection to my emotions was an important event, which ostensibly heralded a crucial stage of my journey towards enlightenment.

I am healing still, but I thank God that I have some of my emotions back. I am happy about it, even though I can not yet cry about that happiness.

The most intellectual of us can recognize each other easily as I did with my friend and fellow emotional retard, Trey, when he explained that the only two emotions he had as a youth were rage and indifference. His words were my reality. He intellectualized his emotions and chose an emotionally healthy woman to provide his children (two boys) with normal emotions.

There are many of us who are emotionally healthy.

Some of my best friends are emotionally healthy and I’ve seen several of them cry openly. I’ve even seen them shed tears of joy, which gave me hope that one day I, too, will have tears for the joy that warms my heart. I harbor hope that one day, I, too, will be emotionally healthy.

I am admitting that I am emotionally retarded, even though I now have tears for most of my emotions. And I want more brothers to find their tears and to find their emotions, so that we can heal and our community can heal.

Mock me if you want, but I’m a man and I am no longer afraid to cry.

I am also unafraid of the term “retarded” to refer to a state of emotional being that actually exists.

Darryl James is an award-winning author who is now a filmmaker. His first mini-movie, “Crack,” was released in March of 2006. He is currently filming a full length documentary. James’ latest book, “Bridging The Black Gender Gap,” is the basis of his lectures and seminars. Previous installments of this column can now be viewed at www.bridgecolumn.com. James can be reached at djames@theblackgendergap.com.

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American Gangster Soundtrack Inspires Samplology

Posted by bigced on November 29, 2007

SWAGRICULTURE is proud to present the SAMPLOLOGY mixtape series, a mixed compilation of music & the original blends that inspired them. Each chapter highlights a select artist, producer or genre.

 

Continuing the legacy of the SAMPLOLOGY Series, DJ Parler (pronounced par-lay) brings you A Gangster Chapter.  Inspired by Jay-Z’s American Gangster, this phase blends the soundtracks songs with the original samples used to create them.

 

To be released on December 4th the project coincides ironically with Jay Z’s birthday and the release date of his forthcoming acappella release of American Gangster. 

 

When asked to comment on the state of mixtapes and sampling usage in Hip Hop, DJ Parler remarks “This compilation isn’t intended to substitute the actual CD nor its samples, but to complement the album and excite those in search of good music. I’m hoping that after hearing my mixes, people will want to dig deeper.”

 

Additional SAMPLOLOGY Series include The K West Chapter, featuring material that Kanye West has appeared on as Producer and/or MC.   And The J Dilla Chapter, highlighting music produced by the late James Yancey a.k.a. J Dilla.

 

For more on DJ Parler and SAMPLOLOGY go to: www.myspace.com/djparler

 

“…a timeless mix for the ages”- HipHopDX.com

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JOHN LEGEND, RICK ROSS & MORE

Posted by bigced on November 29, 2007

The 3rd Annual Florida Entertainment Summit will convene November 29th – December 2nd, 2007, in beautiful Miami, Florida.  Each year this highly-anticipated industry event features a stellar list of events that allows entertainment industry professionals and hopefuls multiple opportunities to educate themselves on current trends and network, while supporting vital community initiatives.

The Florida Entertainment Summit kicks off Thursday, November 29th  with an advance screening of Yari Film Group’s, The Perfect Holiday starring Gabrielle Union, Morris Chestnut, Queen Latifah and more.  Later that night, it’s going down at the official kick off party hosted by three time Grammy Award winner John Legend and model Christine Teigen.  Then, on Friday, November 30th the panel discussions at the historic Lyric Theatre, with knowledgeable and well-connected industry insiders, will provide numerous opportunities for guests to arm themselves with the tools needed to be successful in the world of entertainment.  Topics for the panel discussions include “Marketing, Endorsements, Cross Promoting, Publicity and Branding” and the importance of “Street Credibility & Online Credibility.”   There will also be special networking sessions for members of the media as well as film and television industry hopefuls.  Aspiring artists will have the opportunity to display their talents for industry executives at an artist showcase.  This weekend even includes events featuring Slip N Slide Streets President Bigga Rankin, Midget Mac from “I Love New York 2”, Hip Hop artist Rick Ross, international recording artist Red Rat, DJ Khaled and a host of others.

Once again, the Florida Entertainment Summit is focusing its community initiative on HIV/AIDS awareness.  In observance of World AIDS Day Florida Entertainment Summit, Chef Creole Restaurant, The City of Miami and the Trick Luvs Da Kids Foundation will hold a free community event with live performances and a fashion show on Saturday, December 1st, 2007, from 2 p.m. – 7 p.m .in Miami’s Little Haiti neighborhood, located at 200 NW 54 th Street.  The purpose of this event is to use a creative outlet to shed light on this disease that is ravaging lives across the globe.

This year’s Summit is sponsored in part by Slip N Slide Records, Flash Energy Drink, FIJI Water, Chef Creole Restaurant, Music Video 2.0, RocWorld Entertainment and a host of others.  For a complete listing of events during the 3rd Annual Florida Entertainment Summit, log on to www.FloridaEntertainmentSummit.com or call 305-851-5699.  For hotel information, contact Albert Villanueva at the Metropole Production Hotel by calling 917-501-4343.

About The Florida Entertainment Summit

The Florida Entertainment Summit was founded by E. Mason & Associates, a South Florida publicity and events management firm. Now in its 3rd year,  the Summit has a proven track record for providing film, music entertainers and entertainment entrepreneurs the opportunity to network with influential entertainment decision makers, gain new insight on selling entertainment product, broker deals, promote new music, and learn new industry trends, while introducing new and returning artists to the masses. 

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Jordan Brand and Levi’s(R) Jeanswear Announce: 23 Meets the Original 501(R) Jean

Posted by bigced on November 29, 2007

Jordan Brand, a division of Nike, Inc. and blue-jean-inventing fashion house Levi Strauss & Co., announced a collaborative partnership that will create a limited number of toe-to-head fashion packages for collectors and fans of both brands. The resulting, jointly-developed Jordan Levi’s(R) Collection will unite classic style with urban design flair, delivering freshly-interpreted takes on iconic flagship product from both leaders. The men’s only, specially designed, co-branded product will be appropriately named the 23 / 501(R) collection and will arrive in stores starting in March 2008.
As part of the project, the two global icons created an exclusive collection pairing the Air Jordan Retro 1 style sneakers with a pair of exclusive, co-branded Levi’s(R) Original 501(R) jeans and a signature tee shirt featuring graphic artwork taken from both brands. All three pieces will be sold together as a set and will come enclosed in an innovative, co-branded package, specially designed for this occasion. The premium, selvage denim will be lined with the signature Jordan Brand elephant print and include a sneaker protector at the cuff, reducing the transfer of indigo dye to the shoe. The 501(R) Jean will feature a gold metallic button fly and the Jordan Brand signature Jumpman logo embroidered on the pockets along with the Jordan Brand name on the rear leather-measurement waistband patch. The Air Jordan Retro 1’s will be one-of-a-kind and will be made from Levi’s(R) Original 501(R) denim, printed with the traditional Jordan Brand elephant graphic design.

“Jordan Brand has always prided itself on being the innovator of urban, sport fashion and we are proud to partner with a true fashion icon-the original inventor of the blue jean-Levi Strauss & Co.,” said Fran Boller, Business Director of Apparel for Jordan Brand. “We believe that this collaboration with Levi’s(R) is the perfect opportunity to offer this exclusive package to consumers looking for something truly original and authentic.”

Similarly, Doug Sweeny, Director of Brand Marketing for Levi’s(R) Jeanswear added: “Both brands share a kinship given the role each play within their respective categories. That is what brought these brands together. Like the Air Jordan 1, the Original 501(R) jean is really where it all began. It has become one of the most enduring and malleable pieces of apparel ever created.”

The collaboration between Levi’s(R) Jeanswear and Jordan Brand represents an opportunity for both brands to further define the sport-fashion market. The limited-edition packages will be available March 1, 2008 at select specialty retailers, Levi(R) Stores and Niketown locations.

Specific Levi’s(R) Store locations include: Soho, NYC; the San Francisco, CA Flagship; Santa Monica, CA; Chicago, IL (Michigan Ave. location) and on line at http://www.levi.com/

About Jordan Brand

A division of Nike, Inc., Jordan Brand is a premium brand of footwear, apparel and accessories inspired by the dynamic legacy, vision and direct involvement of Michael Jordan. The Jordan Brand made its debut in 1997 and has grown into a complete collection of performance and lifestyle products for both men and women. The Jordan Brand remains active in the community by donating a portion of its proceeds to Jordan Fundamentals, an education grants program for teachers. For more information on Jordan Brand, visit http://www.jumpman23.com/.

About Levi Strauss & Co.

Invented in 1873 by Levi Strauss, Levi’s(R) Jeans are the original, authentic jeans. They are the most successful, widely recognized and often imitated jeans product in the history of apparel. Levi’s(R) Jeans have captured the attention, imagination and loyalty of generations of diverse individuals in more than 110 countries around the world and continue to do so today through jeanswear innovation. Levi Strauss & Co. has been leading innovation for more than 150 years. For more information about the Levi’s(R) brand, its products and the Levi’s Stores, visit http://www.levi.com/

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Shady Democrats Suspend Rules & Legalize Cointel-Pro

Posted by bigced on November 29, 2007

As you read this keep in mind that the main sponsor for this bill was a democrat-Jane Harman. All this is going down on their watch. I tell ya I used to be a loyal Dem who voted up and down the party line for these guys, but no more. They’re a bunch of spineless sell-outs. People may wanna call their Congress person and ask them why they voted for this and then call your Senator and ask them not to go along with this. Also pay close attention to the our Presidential candidates. What is Hillary’s position on this? Where does Barack stand? What about Joe Biden? We already know that Dennis Kucinich had enough common sense to say ‘No’. You can contact your Congressman and Senate by click here… http://www.visi.com/juan/congress/

Davey D

The House of Reps Vote 404 to 6 to Pass the Bill that Legalizes COINTELPRO?

By: Justin Ponkow and Troy Nkrumah of the National Hip Hop Political Convention

One month ago a bill passed almost unanimously in the House. This bill has received no mainstream news coverage. So it must not be that big of a deal, right? It’s just a bill that will soon to go to Capitol Hill and since the Democrats are in control we are all safe from further infringements up on our civil rights, right? Well, maybe that is not totally correct since this bill is a lot more than meets the eye. But indicator number one should be the title, and indicator number two should be how fast it is moving through Congress.

On October 23rd of this year, the Violent Radicalization and Homegrown Terrorism Prevention Act of 2007 passed 404 to 6 in the House. This bill is proposing an expansion of Homeland Security with the objective of spying on citizens whose political or religious beliefs might lead them to commit violent acts. And we are not referring to the attack of Megan Williams or the numerous police murders of non threatening civilians. No this is solely about spying on political dissidents whose politics were shaped through a critical analysis of US Foreign or Domestic policies.

The stated purpose of this bill is to first assemble a National Commission on the Prevention of Violent Radicalization and Ideologically Based Violence. Secondly, they will create a university-based Center of Excellence to study radicalization and homegrown terrorism.

Their definition of what defines radical and terrorism are very vague, and can be manipulated to serve several purposes. In the bill itself, it says homegrown terrorism means “the use, planned use, or threatened use, of force or violence” by a native citizen of the United States. It is this definition that is leaves so much of this bills purpose, open to interpretation. Unfortunately, the interpretation by the same ole “powers that be” is the only one that really matters because it is them who will have the use of this bill at their disposal.

It is far too easy to point the finger at an individual or a group of individuals, and claim that they are “planning” or “threatening” the use of violence to achieve their objectives. For instance, if a group of PETA or the People for the Ethical Treatment of Animals, decide protest a rodeo, could it be claimed that they are “threatening” the use of violence? Or if activists and concerned citizens congregate at a building to protest or demonstrate, could it be claimed that they are “planning” the use of violence or getting ready to riot?

Let’s take it one step further. If there is an act of civil disobedience, in the form of blocking the entrance to that building (a non-federal building) during the political protest, and that blocking is done with the use of a minimal amount of force (people physically locking arms), will this new bill turn a simple misdemeanor trespassing into a felony punishable through the federal court system? And who has the discretion to make that determination?

“Planned” or “threatened” use of violence is a vague term, and we have seen it used before. How many times have you heard of a cop beating, shooting, or killing an individual because in the officers opinion they “posed a threat” or were “planning” harm towards the officer? This situation is no different, yet now it decriminalizes police actions at a time when we are experiencing more police killings of unarmed civilians.

What is feared by the activist community is a general crack down on social justice activism and civil disobedience, or any dissent for that matter, because it now takes on a new and legal form. Being that it is so easy to point the finger, anybody willing to speak out will be in the scope of this proposed commission. Including many Hip Hop artists who have been the most critical of the government and its agencies. In J. Edgar Hoover’s time, this type of spying and repression was illegal and later became known as the Counter Intelligence Program (COINTELPRO). Currently these and similar practices are legal in regards to non-citizens under the heading of the “Patriot Act.” Did you really think that the government was only after those who sneak into the country to commit acts of violence?

To it’s defense it is claimed that this bill will not “violate the constitutional rights, civil rights, or civil liberties of United States citizens or lawful permanent residents.” It is also claimed that this bill will be racial, ethnically, and religiously neutral when carrying out its’ study. With such claims, it is interesting that the criteria for members of this commission are individuals with expertise in “juvenile justice”, “local law enforcement”, and “Islam and other world religions.” As if that knowledge and expertise will have any relevance to what makes “citizens” look toward other means of confronting social injustices. I would think that sociologists, social workers, academics and social justice advocates have a better grasp on why individuals or organizations gave up on working “within” the system to seek other alternatives to achieve justice and equality? Why is it that social critics are not the primary targets for this commission membership? Is it because these social critics are the primary targets of this commission?

This bill, and its ‘provisions, looks like ideological profiling of potential “trouble makers” national, and especially on the university campuses. This commission and its’ “studies” will be used to begin surveillance on suspected dissidents and those who might associate with them, but it will not end there. The commission’s purpose is to not analyzes the critics of the government policy and suggest reforming the policies to avoid the development of “homegrown terrorists” but rather to identify and neutralize those critics.

For those that know their history, this bill should sound familiar. Back in the 50’s J. Edgar Hoover, Head of the F.B.I., started the Counter Intelligence Program (known as COINTELPRO). This program was meant to, in Hoover’s words, “neutralize political dissidents”, and used thousands of illegal and covert operations to achieve its’ means.

Though COINTELPRO claimed to watch the actions of all potentials threats, it seemed to focus all of its efforts on leftist and liberal political activists. They focused on everybody from John Lennon to Jane Fonda to keep tabs on dissidents. The other stated purpose was to “prevent the rise of the black messiah”. They kept their eyes on the likes of Malcolm X, Dr. Martin Luther King Jr., Fred Hampton and many others in order to quell the Civil Rights and Black Power Movements.

This new bill that is being fast tracked through Congress is nothing but a legalized COINTELPRO. And anybody that cherishes the right to speak out for their rights should keep an eye on this. If violence is already against every law of every state in the union, why exactly does there need to be a group that will spy on citizens and then possibly take actions against those whose “threat of violence” have a political undertone? And who is to be the targets? Well if history is any indicator, we know that the FBI did not use its resources to eliminate the KKK and other White Supremacy organizations, but they did do everything they could to eliminate, kill or jail the leadership of Black, Brown, Red, Yellow and White left organizations.

One of the most disturbing aspects of this bill is how fast it is moving through Congress. You would think such a monumental bill would be debated and discussed to no end. At least by the few progressives left in the House of Representatives. But the actions of the House show anything but concern. (Where are you at Barbara Lee?) We saw this happen right after the attack on the World Trade Center when the congress passed the “Patriot Act” but then later complained that if they had read the text of the bill they would had more reservations because of the power it gives to the government and the rights it strips from the citizens. So I guess we can say that the House of Representatives have not learned from that past and are thus doomed to repeat it, and are repeating it.

When this bill came to House it was given certain provisions specifically to reduce debate time. Such an important bill as this was given little serious debate time, and was rushed to be passed. And it did pass. It was passed with a 404 to 6 vote. Of the notable votes, Presidential Candidate Dennis Kucinich did vote against the bill, whereas Presidential Candidate Ron Paul was not present to vote on the issue. This bill was hardly debated, it was passed almost unanimously, and now it is on its way to the Senate, and then the President.

There is no doubt that this bill will have the same results in the Senate, and will be signed by the President. At the speed it is moving, this bill may be a law by February, just in time for the primaries. And all of this is happening with almost nobody noticing. The news outlets are not mentioning it. It is slipping right in under our noses, like most laws of this nature do. And chances are, if you were not reading this you would still think that you had the right to defend yourself against government oppression (as stated in the Declaration of Independence) or at least the right to demonstrate at the next Democratic and Republican national conventions.

As for those of us who are concerned about our individual civil liberties, what more can we do besides sit back and shake my head in disgust. Looks like protesting will lead to federal charges. 2008 is an election year, and every candidate promises change for the future and to correct the abuses of the current administration. Yet read their congressional voting records and you will see where some of these candidates actually stand. Most are for the war in Iraq and Afghanistan, and keep funding it with billions of our tax dollars. And as evident in this new bill almost all of the House or Representatives are for the war against your civil and political rights. It kind of makes you wonder, why these fear mongers and ideologues run around saying, “they hate of for our freedoms” what exactly are those freedoms that we are hated for?

Justin Ponkow is a writer for the University of Nevada, Las Vegas student paper, The Rebel Yell, and is a member of the National Hip Hop Political Convention.
Troy Nkrumah is an attorney, writer and educator. He is also the Chair of the National Hip Hop Political Convention.

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EVERLAST AND DJ MUGGS TO PERFORM AT JAM MASTER JAY TRIBUTE

Posted by bigced on November 28, 2007

Grammy-winning singer/songwriter and multi-platinum artist Everlast and Cypress Hill’s DJ Muggs will be among the hip-hop performers appearing at the inaugural J.A.M. Awards and benefit concert for the late Run-DMC DJ Jam Master Jay (Jason Mizell), Nov. 29 at Hammerstein Ballroom in Manhattan. Mizell was shot five years ago in his hometown of Queens, and while the investigation seemed to be picking up steam, a suspect has yet to be named.

“Jason was a big influence on me when I was first getting into rap,” says Everlast. “This is an opportunity to show my respect and to raise money for a very worthy cause.”

Other rappers scheduled to appear include Snoop Dogg, DMC, De La Soul, Q-Tip, Mobb Deep, Marley Marl, Dead Prez, Raekwon, Kid Capri, EPMD, Lord Finesse, Bumpy Knuckles, DJ Kay Slay and Jim Jones.

The awards will honor the positive aspects of rap, honoring those displaying outstanding efforts in the areas of “Justice, Arts & Music,” representing the acronym J.A.M. Among those being recognized are Kanye West, Wyclef Jean, Spike Lee, Chuck D and Dr. Cornell West.

A portion of proceeds will go to the Jam Master Jay Foundation for Music, a non-profit organization started by Mizell’s widow Terri, providing funding and resources to support free public school music education programs.

Everlast’s new album, Love, War and the Ghost of Whitey Ford, will be released early next year via management company Three Ring Projects’ innovative deal with Sony/ATV Music Publishing. The record was co-produced by Everlast with longtime partner Keefus Ciancia as the logical successor to his 1998 breakthrough Whitey Ford Sings the Blues, which went Top 10 on the Billboard charts and sold more than 2 million on the strength of its Top 40 hit, “What It’s Like.”

Everlast, who was most recently recruited by TNT series Saving Grace creator/executive producer Nancy Miller to create the theme song for the show, will be launching a new website and releasing a new music video exclusively online for his new song, “Letters Home from the Garden of Stone” from Love, War and the Ghost of Whitey Ford.

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Davey D Report: Chuck D Pays Tribute? Blu & Exile Make Noise

Posted by bigced on November 28, 2007

Breakdown FM Top 25
November 26th 2007

Davey D Music Notes…

Lots of new music to peep this week as we get ready to head on into the holiday season. There’s no excuse not to have a few stocking stuffers. Leading the pack is a new Chuck D/Public Enemy project that pays tribute to the late James Brown. Its done under the name The Peeps of Soulfunk and features SlamJam artists like singer Kyle Jason and his group the banned. It also introduces us to a new artist named Revue.The name of the album is ‘Tribb to JB

The project is off the hook as it manages to capture the musical essence and feel of many of Brown’s classics like ‘Say It Loud (I’m Black and I’m Proud)‘, ‘Funky President‘ and my favorite ‘Get Up, Get Into It and Get Involved‘. At the same time Chuck and company add their own twists to some of these songs, by either rapping new lyrics or adding little riffs and extra beats here and there. Kyle Jason’s band is superb. Trust me on this you will not be disappointed…

On a more somber note, I spoke with Chuck D the other night for a long time about the significance behind this project. He explained that as soon as Brown passed away last Christmas, he thought about doing a tribute album. What surprised him was over the past year was seeing that no other group had come forth to do something similar. To date the PE project is the only tribute album. Chuck pointed out James Brown’s legacy has pretty much been obscured when you consider the impact he’s had on music and his global appeal. He noted how other pioneering rock icons like Elvis and the Beatles are celebrated while Black music icons like Brown and Curtis Mayfield who also passed away several years ago in late December are pretty much forgotten.

This oversight and lack of celebration is not by accident, but instead indicates a larger problem within the Black community where history is discouraged and downplayed. It seems to be a continuum of the edict applied to Black folks when we first brought over to this country, which was to strip away and erase one’s cultural heritage. The lack of knowledge of our musical history is a microcasm for what is going on in the larger society.

For example, today the average African American 18 year old not only knows more about Souljah Boy and his new dance than he does James Brown, but he probably couldn’t care less about the Godfather of Soul’s immense contributions. That attitude may extend to a dis-interest in political and social history. So he may not know about James Brown, the Black Panthers, SNCC or the local heroes and sheroes who paved the way for him.

Part of this disconnect is elders in particular parents not taking time to pass down the info, but that disconnect is equally fostered by popular urban media outlets that rarely celebrate and expose that history to their audience. Aside from the BET Tribute during an awards show which Public Enemy participated, there has been barely a mention. During our conversation, Chuck noted what I had personally experienced where many urban radio stations refuse to play records more than 5 years old aside from an occasional specialty shows or old school mix. Not only is the soul and blues history lost to the masses but increasingly Hip Hop’s recent history. If you don’t belive it ask that 18 year old Souljah Boy fan if he ever heard an X-Clan, Big Daddy Kane or MC Lyte record. Contrast that with a 18 year old rock fan and see if he or she ever heard of Nirvrana, U2 or Red Hot Chili Peppers who were out around the same time as their Hip Hop counterparts. Chuck is on a mission to change that…

Here’s the video to the song ‘Think Mamma for the Soul Sisters
http://uk.youtube.com/watch?v=VfdYunhsElA

Also on point this week is new material from LA artist Blu and Exile. Blu is the rapper and Exile is the producer. Their new album Below the Heavens is off the chain and to be honest is exactly what Hip Hop needs right about now. It is clear that these guys spent some time working on their craft as they bring forth skilled compelling lyrics and pounding beats that represent creativity that challenges the cookie cutter mode stifling a lot of Hip Hop albums. Blu and Exile give us straight “rewind’ material. You will not be disappointed. If you don’t believe me check out the song My World Is… which samples from the Dells classic of the same name. As soon as I heard that song, I was hooked and have been a Blu and Exile disciple ever since… Check out their material here: http://www.myspace.com/bluroc

MC Lyte has returned to the fold with another banger. She hit us upside the dome last year with a DJ Premier produced track called Wonder Years. It was her opening salvo to a highly anticipated album. One year later we got hit again with a new song called ‘Beautiful‘ which is equally potent. Now I’m not sure where the album is. Last time I saw Lyte she swore she’s still working on things. But I can tell you first hand that woman stays busy. If she’s not running her Southern Cali clothing boutique, then she’s appearing in movies, writing books to empower young women or traveling around the country putting on seminars that challenges the status quo within Hip Hop. In recent days she was on the Vh1 Hip Hop honors tour. But one thing I will say about Lyte, she is no joke on that microphone. Her lyrics are relevant and her delivery is still hard hitting. She is not the one you ever wanna battle unless you’re into getting your feelings hurt and being severely punished. Deep Lyte here: http://www.myspace.com/mclyte

Another of my favorite joints this week is the Erykah Badu’s ‘Honey‘. It was produced by everyone’s favorite producer 9th Wonder. It’s the first single off her upcoming 4th album called ‘The Kabah‘. Look for it to drop on Februray 26th. Be sure to check out the song here: Erykah Badu video-Honey

Ice Cube is making some noise with his new single ‘Gangsta Rap Made Me Do It‘. Its the first single off his upcoming untitled album. Its a direct response to all the heat Hip Hop has been taking as of late. Cube in true form sarcastically says its gangster rap that made us do all the bad things taking place in the world today. In reality, Cube is not saying that Hip Hop doesn’t have its faults and doesn’t need to be cleaned up. He’s noting that Hip Hop should not be the sole scapegoat when we have so many other parts of society messing things up for us all.. In anycase I’m feeling this new joint and I’m glad Cube is keeping things political.

Speaking of political be sure to check out Pittsburgh native Jasiri X and his new song ‘Free The Jena 6′. This is a song that Jasiri has been performing all over the country including the big September 20th rally in Jena, La. His song created quite a buzz and caught the attention of radio talk show host Michael Baisden who not only invited Jasiri to come down and perform, but has been featuring the song regularly on his nationally syndicated show.

Jasri is a well known activist in Pittsburgh who is part of a larger group called One Hood. He’s a member of the Nation of Islam and he works closely with X-Clan member Paradise the Architect. His new mix tape I Got That X is making noise in his hometown and now starting to be known up and down the east coast. You can peep out his material here and the video Here:

http://www.youtube.com/watch?v=zZGzobVnYZA

Folks may wanna look out for new material from Oakland’s Zion I. They recently teamed up with West Coast pioneer Too Short to do a slamming song called ‘Don’t Lose Ya Head’. which is featured on his recently released compilation called ‘I Love the Bay’. On that compilation you will hear joints from Bay shot callers like Messy Marv, Mista FAB, Frontline, E-40, Bavgate, Big Rich and fellow Bay pioneer Mike Marshall just to name a few.

Too Short who has been doing some big things community wise as of late including opening up studios for up and coming artists and counseling youngsters at East Oakland’s Youth Uprising, has long wanted to put out a compilation album that showcased the vast amounts of talent that exist here in the Bay Area. The compilation was released on his own All Night Music label and no doubt will eliminate some of the politics and frustration Short has experienced in the past.

For example, he and E-40 had collaborated on an album called ‘History’ that was nixed by Jive Records who didn’t want the pair to put it out while they were both signed to the label.

In another incident, last year when BET did a spotlight on the Bay, Too Short took the camera crew around Oakland and had in tow many of the Bay icons who are celebrated here but often overlooked on the national stage. When the piece was finally aired, you saw most of the people he rolled with edited out the piece aside from a couple of shots here and there. That was a big disappointment. Short was able to repair that oversight with this compilation which is pretty good.

As for the cut with Zion I, it represents their commitment to unite the Bay Area rap scene in the three year tradition of their Paid in Full concert series where they bring together groups from the Bay’s various rap scenes and clicks. For those who don’t know here in the Bay for the longest time, there’s been a so called Backpack/Hip Hop scene and a rap/turf scene. Such boundaries have come on behalf of music journalists and Hip Hop purist who have little or no connection to the communities where this music emerges. In their mis-guided wisdom they have somehow deemed that an Oakland artist like Too Short or the Deliquents are ‘rap music artists while fellow Oakland artists like Zion I, Hiero or Living Legends are ‘Hip Hop’. That has long been a notion completely rejected in these parts and was just recently underscored by Bay artist Del tha Funkee Homosapien in an Hard Knock Radio interview where he explained in great detail how and why all Bay artists are connected.

He noted that for the most part many artists came up together, attended the same schools and even were in the same groups early on. For the most part, you will find Bay artists are born from the same musical seed which is rooted in funk and out of that tradition they express themselves differently. As far as Del is concerned his style of Hip Hop comes from the same funk seed as Too Short

written by Davey D

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